Elizabeth MacRae, probably best known for her courtship with Jim Nabors’ easily awed Gomer Pyle and her time as misery-prone Meg Bentley in General Hospital has died. She was 88.
Elizabeth MacRae, Rest In Peace
Per her obituary, MacRae passed peacefully on Monday, May 27 at Highland House Rehabilitation and Healthcare in Fayetteville, North Carolina from which she originally hailed.
Upon graduating from the Washington-based Hoton-Arms — a college-preparatory school — MacRae booked it to Atlanta, Georgia in the hopes of booking the lead in Otto Preminger’s Saint Joan. She didn’t. Jean Seberg got the tap. But effusive praise on Preminger’s part spurred her on to New York where she studied under the auspice of acting dynamo Uta Hagen and gained invaluable experience trodding the boards in several off-Broadway productions.
National exposure came via an episode of courtroom dramatization The Verdict Is Yours, and MacRae subsequently added to her resume guest stints in Route 66, Surfside 6, Rendezvous, The Fugitive, Bonanza, I Dream of Jeannie, and more.
1961 saw the nascent thespian appear in two feature films: Everything’s Ducky and Love in a Goldfish Bowl, and from 1962 to 1964 she was by Ken Curtis’s Deputy Marshal Festus Haggen in Gunsmoke. In between, she had a brief bit in For Love or Money (1963), shimmied and shook in Wild Is My Love (1963), and had Don Knotts flummoxed with her turn as animated Ladyfish in The Incredible Mr. Limpet (1964).
MacRae so impressed the makers of Gomer Pyle: USMC that her intended one-and-done performance as lounge singer Lou-Ann Poovie was expanded into a recurring role that encompassed a further 14 episodes, taking her right into the sitcom’s final season in 1969.
That same year, she joined the cast General Hospital, succeeding Meg Bentley’s originator, Patricia Breslin. By the time MacRae’s tenure came to a close in 1973, at which point Meg Baldwin (as she was then known) succumbed to a fatal blood-pressure-induced stroke, her alter-ego had battled breast cancer and suffered several indignities heaped upon her by near-do-well stepdaughter Brooke and adulterous husband Lee.
Next, MacRae seduced and stole from Gene Hackman in Francis Ford Coppola’s The Conversation (1974).
Over the next several years, work came in the form of spots in Mannix, Kojak, Barnaby Jones, Rhoda, and the like. MacRae also returned to the wonderful, wacky world of daytime soaps several times, enjoying runs in Days of Our Lives, Search for Tomorrow, All My Children, Guiding Light and Another World. Her last film credit was 1989’s Eddie and the Cruisers II: Eddie Lives!
After her (semi)retirement — she could, on occasion, be persuaded to return to the stage — MacRae served as a drug and alcohol counselor with the Freedom Institute in New York
She was preceded in death by her second husband Nedrick Young — a swashbuckling screen star-cum-scripter-cum-blacklisted artist who co-penned the Elvis Presley starrer Jailhouse Rock, Inherit The Wind, and Academy Award darling The Defiant Ones — as well as her third, Wells Fargo executive Charles Day Halsey, Jr. who passed a scant two months previous.
Survivors include five stepchildren, Terry Halsey, Peter Halsey, Hugh Halsey, Cate Halsey, and Alex Halsey Topper.
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