Helen Gallagher, belter, hoofer, and talented thespian who conquered stage and screen (both big and small) and was richly rewarded for her efforts, passed away on November 24 (2024), at the age of 98.

Helen Gallagher, Rest In Peace

Playbill released a statement confirming Gallagher’s death. It reads in part: “Our condolences go out to her family, friends, and fans.”

Though a Great White Way dynamo the majority of her career — she nabbed two Tony Awards, one for Best Actress In A Featured Role In A Musical for Pal Joey! and one for Best Actress In A Leading Role In A Musical for No, No, Nanette (amongst other notable honors) — Gallagher is no doubt best known to viewers for her decades plus run on ABC’s Ryan’s Hope.

She was stern but sage Maeve Ryan who, alongside Johnny, oversaw the running of Ryan’s Bar and dispensed (not always welcome) advice to her kith and kin.

Of interesting note: At the time of her hiring, Gallagher was tutoring nascent singers in her home three times a week. Amongst her pool of pupils was Michael Hawkins, who was cast as Maeve’s firstborn, Frank.

Gallagher remained on the canvas throughout the sudsers 1975-1989 tenure, racking up five Daytime Emmy Award nominations and winning three (1976, 1977, and 1988), all for Outstanding Lead Actress in a Drama Series.

When the axe fell, it was left to her to close out the final show with a rousing rendition of “Danny Boy” (her character’s signature croon) and the fan-appreciated ad-lib, “Have a good life.”

Soon after, Gallagher was tapped for a two-day guest stint on Another World, and she subsequently appeared in All My Children as a Nurse Ratchet type and in One Life to Live where she played Mel Hayes’ mother, Dr. Maud Boylan, a sex therapist of some repute who counseled Erika Slezack’s Viki and Robin Strasser’s Dorian.

Gallagher’s dazzling array of credits includes roles in several more Broadway classics (The Pajama Game, Mame, Finian’s Rainbow, and Sweet Charity), a host of revivals (such as Guys and Dolls and Brigadoon), appearances on a heap of variety, game, and talk shows, primetime programs (Law & Order and The Cosby Mysteries), and three performances committed to celluloid: the Kirk Douglas, Kim Novak, Ernie Kovacs starrer Strangers When We Meet (1960), Roseland (1977), and the LGBTQIA+-themed Neptune’s Rocking Horse (1997).